Guo Fucheng opposed the deletion of emotional dramas and blew up ＂Don’t Hao Lei＂ crying for eight hours

The Chinese-language blockbuster "Silver Empire", which was invested and shot by Taiwan’s Crystal Pictures and Bona International Film Group, has recently stepped up its publicity offensive as the August 21 release day approaches. Starring Guo Fucheng, Hao Lei and Zhang Tielin gathered in Beijing, they deeply revealed the triangular love affair in which "father and son become rivals in love" in the film, and the interesting shooting stories behind it.

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In the film, Guo Fucheng, who plays Shaodong with the ticket number "Tianchengyuan", freely admits when talking about the plot and the relationship between the characters: he loves his father, but loves "stepmother" more, and sums up his "Third Master Kang" as "deviant". He said: "In the play, because I have a’strange ‘relationship with my’mother’, I am confused and pretend to be mature in the first part of the play. This part is the most difficult to act! Later, I can’t express my most intimate love in my heart, and I feel more uncomfortable than death!"

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When a reporter suggested that there were too many emotional scenes between the third master and the stepmother in the film, Guo Fucheng quickly expressed his disagreement: "Silver Empire uses a lot of space to describe the relationship between the third master and the stepmother, and there may even be a lot of passionate scenes. Of course, I think it is absolutely necessary, and it is absolutely unnecessary. Because even growing up in the Qing Dynasty, people will have seven emotions and six desires. It is absolutely reasonable and necessary to have a passionate scene in the plot, just to explain the development of the plot at that time. As for their final ending, it is a beautiful romance, because this plot of’love until separation is still love ‘is more evocative and heart-wrenching. I like this ending very much!"

When talking in detail about playing such a pair of hard-working lovers with Hao Lei, Guo Fucheng lamented that the most memorable thing was that there were a lot of "crying scenes" in the play, and Hao Lei’s moving eyes and rich emotions were an important reason for him to be able to participate very smoothly. "I remember that not long after the filming started, there was a scene where Hao Lei and I were riding a horse and breaking up in the wilderness. I had to hold back a deep feeling and sadness to cooperate with Hao Lei’s turning back. I don’t know why, looking at the moment she turned back, I felt very unforgettable! My tears fell leisurely! That scene is hard to forget!"

After that, the two cried for seven or eight hours "encouraging each other", setting a record, "I feel like our opponent was crying, and every time we cried for a long time, from dawn to dark. I remember one time, we started crying early in the morning. Hao Lei’s makeup artist went to catch up on sleep because she worked all night. When she woke up, she saw that we were still crying there, wow! It felt really incredible!"